Author: Umarova, Fotima Akmal qizi

Annotation: The article is devoted to the analysis of the principles of deconstructivism in the philosophy of Japanese fashion. The philosophy of Jacques Derrida and traditional Japanese aesthetics (wabi-sabi, ma, the concept of emptiness) are considered in the unique approach and vision of Japanese designers to creating clothes. Particular attention is paid to the works of Rei Kawakubo, Yoji Yamamoto and Issey Miyake, whose work changes the ideas of beauty, functionality and gender boundaries in fashion. This is a study of the main principles of deconstruction, such as asymmetry, work with fabrics and the idea of incompleteness, as well as the influence of Japanese deconstructivism on world fashion, including European designers who adopted these ideas, and modern trends in sustainable and digital design. At the same time, deconstructivism is considered as a concept that unites art, fashion and philosophy in the 21st century.

Keywords: deconstructivism, Japanese fashion, fashion philosophy, Yoji Yamamoto, Rei Kawakubo, Issey Miyaké, deconstruction, conceptual fashion.

Pages in journal: 111 - 117