Author: Sodiqova, Dilafruz

Annotation: This article examines the genre-stylistic nature and linguopoetic features of the works of Bing Xin (Xie Bingxin), a prominent figure in 20th-century modern Chinese literature and an active participant in the "May Fourth Movement." The relevance of the study lies in the necessity to re-evaluate Bing Xin’s literary legacy through the prism of modern literary criticism, specifically focusing on the role of female writers in the development of Chinese literature. The research focuses on the author’s universal "Philosophy of Love" and the analysis of the "Bing Xin Style" (Bing Xin ti), which synthesizes Classical Chinese (wenyan), Western syntactic models, and modern vernacular speech (baihua). The article scientifically substantiates the writer's contribution to the normalization of the national literary language by elevating vernacular speech to a sophisticated literary level. The study explores the artistic conception, realism, and the principle of "emotiocentrism" in Bing Xin’s prose. It demonstrates how she created a "synthetic model" of emotionality that harmonizes humanity, nature, and inner feelings. Furthermore, the article compares her influence on Chinese children's literature and the cultural renaissance in Taiwan, summarizing the level of her reception in modern Sinology. The study concludes that her mastery of lyrical expression, neologisms, and euphemisms reflects the innovative trends of 20th-century Chinese literature. This research contributes to the advancement of modern Oriental studies by providing a systematic analysis of the writer’s figurative thinking and creative world.

Keywords: Bing Xin, philosophy of love, Bing Xin style, emotiocentrism, new Chinese literature, essayistics, linguopoetics, synthetic model, children's literature.

Pages in journal: 184 - 196